In my multidisciplinary practice I work with sound, poetry, film and lighting together with notions of impermanence, transience, nature, mysticism, found materials and the transitional experience around these. My practice interweaves spiritual elements through symbolism, form, carefully selected materials, and contextual placement

The work crosses over into other fields such as geology meteorology, psychology, sociology, environmental science and cosmology. I visualise research and practice in strata layers, having longue durée, that eventually becomes evident, highlighting Global warming, and capitalism

I am Mostly drawn to materials that can be found in ancient history from metals to natural stones, in particular sedimentary, metamorphic and polymorphic rocks, with some plastics linked to industrialism, together with organic plant materials such as wood, seeds, twigs and leaves. In objects I look for unusual forms, often not seeing exactly what these things once were.

Being called to these materials give me a basis to include elements of fragility and strength. Discovering left behind objects is a kind of material archaeology, I see them as relics especially time worn unidentifiable objects. These often-broken eroded ready-mades and materials await rediscovery after long periods of dormancy. By incorporating meteorological processes, I reveal stages of erosion and slow entropy into my work.

I have come to view certain objects in my work as meditation pieces, portals, or hyper-objects—creating bridges to unknown worlds typically unseen by humans.